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Moss H. Kendrix: The Black Image

This exhibition, at the Alexandria Black History Museum through December 2027, delves into the groundbreaking contributions of Moss H. Kendrix (1917-1989), a pioneering figure in public relations and advertising. Known as the “Father of Black Public Relations,” Kendrix’s innovative campaigns redefined African American representation in media during the Jim Crow era, making significant strides for more inclusive and authentic portrayals.
Page updated on October 27, 2026 at 10:03 AM

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The Black Image

Advertising in the U.S. has relied on the exploitation of the Black image. Appealing to a white audience’s romanticized pre-Emancipation ideals, early depictions of Black people often used racist caricatures, such as “Mammies” and “Uncle Toms.” This imagery, with its roots in slavery, reinforced the cultural violence and discrimination toward Black people in a segregated “Jim Crow” society. 

Many mainstream brands for domestic and service products used these bigoted, yet recognizable stereotypes in logos and advertising to suggest excellence and reliability.

Moss Kendrix grew up seeing this imagery and knew it did not reflect his world. Through his work, he acknowledged African American people as full participants in the American experience, reflecting the consumers’ desire for more agency in their lives and careers.

Commercial Caricatures

First appearing in 1889, the “Aunt Jemima” logo is based on a racist caricature from a vaudeville parody. Fictional marketing stories described her “legendary recipe” and its sale to the company.

Several actresses portrayed her in advertising and at personal appearances until the late 1960s. The advertising image changed over the years. However, her depiction as serving the consumer remained unchanged.

Following the racial violence of 2020, the logo was removed, and in 2021 the company rebranded as the Pearl Milling Company. In Kendrix’s advertising, Black people were the consumers of the goods and services, not the producers or providers.

A label design for Aunt Jemima's Pancake Flour, with image of Black woman with shawl and wrapped head scarf.
Aunt Jemima Manufacturing Co. Trademark, April 29, 1890. 
This drawing was registered for the company’s self-raising pancake flour. Courtesy of the Library of Congress.

 

Cream of Wheat advertisement, with black man in chef's hat serving cream of wheat, and the words "The autocrat of the Breakfast Table."
Cream of Wheat Advertisement,1910.
The Autocrat of the Breakfast Table
Cream of Wheat
A Dainty Breakfast
A Delightful Luncheon
A Delicious Dessert

 

Cream of Wheat advertisement with black man in chef's hat pointing to product.
Cream of Wheat Advertisement,1920. 
Although his name was never recorded, Chicago chef, Frank L. White, later identified himself as the likeness for Chef “Rastus.”
"That's It - The Breakfast Food of The Nation"

 

An ad for Gold Dust Washing Powder, with drawing of young Black children with a wash tub, rag, and box of the product.
Gold Dust Soap Advertisement, Early 20th Century.
Gold Dust not only cuts dirt and grease from dishes with scarcely any rubbing, but is an antiseptic that goes deep after every minute, and oft-times hidden, impurity.
Gold Dust will sterilize your kitchen things and make them wholesome and sanitary - Besides, doing most of the cleaning without your assistance.
Gold Dust points the short way to easy housework.
For washing dishes, scrubbing floors, cleaning woodwork, oil cloth, silverware and tinware, polishing brasswork, cleaning bathroom pipes, refrigerators, etc., softening hard water, washing clothes and making the finest soap.
"Let the GOLD DUST Twins do Your Work"

 

 

 

1: The Moss H. Kendrix Collection

2: The Black Image

3: Trailblazer and Visionary

4: A Radio and Newspaper Man

5: Strength in Numbers

6: Aspirational Advertising and the American Dream

7: Coke, Coolers, Conventions, and Coffee

8: He Was Everywhere…

9: Contemporary Kendrix

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